講座｜人、靈與火山：「地理藝術」的持續探問

從藝術創作者的角度出發，我們可以如何想像？
想像早年平埔族群與商人貿易、漢人移墾與統治者的交流互動？
想像番仔厝已經消失的地形地貌？
想像火山與我們的關係？
想像的過程，有學科知識界線的打破與開啟，有上山下海的身體感知，有跨領域的交流與激盪。
從藝術創作者的角度，從北投出發，我們可以如何想像？

講者梁廷毓分享他在藝術領域的長期思考與探問，以及從個人到團隊的拓展路線。一方面以自身2016年起，參與北投保德宮的活動、事務、書寫、影像實踐與創作為分享的面向，思考藝術作為一種軟性族群、文化運動的潛能；另一方面，也分享近年來參與「引爆火山工程」藝術團隊的調研以及創作過程，透過北臺灣大屯火山群及外海的火山群島、族群與歷史敘事，從科學／非科學之間的知識生產與社會展演形式，探索一種「地理藝術」的實踐路徑。

From the perspective of an artist, how can we imagine?
How might we envision the early trade interactions between the indigenous Pingpu peoples and merchants, as well as the exchanges between Han settlers and governing powers?
How can we imagine the vanished landscapes of the “Fanzi House” (indigenous settlements)?
How might we conceive of our relationship with volcanoes?
In the process of imagination, boundaries between disciplines are broken and opened, incorporating physical experiences of exploring mountains and seas, as well as fostering interdisciplinary dialogue and inspiration.

Starting from Beitou, how can we imagine from an artist’s perspective?

The speaker, Liang Ting-Yu, will share his long-term reflections and inquiries within the field of art, as well as the journey of expanding from personal practice to team collaboration. On one hand, he will discuss his engagement since 2016 with the activities, affairs, writing, visual practices, and creations centered around Beitou’s Pao Te Temple, exploring the potential of art as a soft form of ethnic and cultural movement. On the other hand, he will share insights from his recent participation in the “Volcano Trigger Project” art team, detailing the research and creative processes. Through the lens of the Tatun Volcano Group in northern Taiwan and the volcanic archipelago offshore, intertwined with narratives of indigenous peoples and history, the project seeks to explore a “geo-art” practice by navigating the boundaries between scientific and non-scientific knowledge production and social performances.